Swanning Around
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Our tour started in the billiard room, from whence we
proceeded to the dining room. Every room of the palace contained numerous
paintings of scenes from German history and legend, as well as lavish
furnishings and decorations. For example, the dining room depicted in murals
the tale of Lohengrin, the swan king. On the table were bronze tiered trays,
gifts for Maximilian and Maria. We passed into the queen’s room, which
portrayed the role of royal women in medieval times. The queen’s interconnected
reading and writing rooms had scenes from the myth surrounding Charlemagne’s
birth painted on the walls. Like the fountains outside, swans were an ongoing
theme in all the rooms.
From there we went up to the third floor (the king’s rooms).
Since Ludwig inherited his father’s crown at 18, he lived in Hohenschwangau
for some time, and so the third floor bears traces of his decorating- for
example, the ceiling of the king’s bedroom has holes drilled in the ceiling
designed to mimic constellations. At night, oil lamps would make the “stars”
seem to flicker. Ludwig also installed a large telescope on the third floor so
he could survey construction of Neuschwanstein, the castle he had built for
himself across the valley. Another interesting feature were the 150 year old
preserved loaf of bread and pitcher of salt, a gift for Ludwig upon inheriting
his parents’ palace.
We next set out on the long, winding trail up to Neuschwanstein,
Ludwig’s personal Barbie Dream House. The hike was made more difficult by the
large number of horse carriages and buses that kept speeding past us.
Eventually, we reached the top of the large hill his royal residence was
perched on.
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Neuschwanstein was never fully completed, and it’s easy to
tell why. The ornate detailing of each room cost all of Ludwig’s money and he
borrowed huge sums. His bedroom was almost entirely wooden, and the canopy over
his bed was carved to look like Neo-Gothic churches. There is a large concert
space called the hall singers decorated with scenes from Wagner operas that
never hosted a performance. There is even a room made to look like a cave. The
rest of the palace was similarly dazzling and covered with gold and amazing
murals. Ludwig is called the Crazy King because of his desire to live in
prosperity utterly alone. Personally, I think that’s an unfair assessment.
We left Hohenschwangau and headed for Bregenz, Austria, to
see Turandot performed. We arrived at the lake where the stage was a few hours
early, so we took the time to walk around and get some snacks (ie. giant
pretzels).
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The performance was incredible, featuring fire swords, fire
cubes, glowing dragons, and a severed body thrown into the lake from a high
tower on the stage. Since we were in the third row, the fountains of water
spraying in the air at the end ended up splashing us.
It was really late when we got
back, so we collapsed instantaneously.
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